However, because the BBC needed to wheel a great deal of machinery through these doorsets, frequent wedging of the doors to keep them open weakened the fixings of the surface mounted Thunder threshold sections. So they were reversed – and rebated flush with the bottom of the door to make them considerably more rubust when wedged frequently (see Thunder TMS/WHS). As a result, the BBC adopted the solution for all of its doorsets in recording studios and auditoria. Further details on this and other acoustic dampening designs can be found in Keith Rose, Guide to Acoustic Practice, (2nd edition), 1990 published by BBC Engineering.